Dupli Casa, a private residence by the Neckar river, near the old
town of Marbach in South- Western Germany, is a wonderfull example of
connection and fluidity. It connects the inside with the outside, up
with down, air with ground and — most cleverly — past with present and
even future.
From the outside, the three-storey concrete villa looks like a bit like
some sort of a fiberglass motorboat job gone funny, yet it also manages
to look immensely appealing and intriguing. From some angles, the
structure appears to be standing upside down — the lower exterior rim
spilling onto the lawn and forming a part of a roof structure, if the
building were to stand the other way around. It could have been blown
there by the wind; it could be a StarWarsian vehicle frozen in place;
it could be just taking off to outer space.
The outdoor swimming pool and the white surface surrounding it seem
like a perfect reflection of the house, almost as if the house had been
face down on the ground, and when it was lifted off the ground, the
process had left an imprint of a swimming pool on the ground and the
large window opening in the house.
The views from the inside are amazing, especially from the vast
ground-level openings that again, give the sensation of flying, being
airborne, weightlessness. Everything is fluid, flowing and smooth.
All
of this is very much in keeping with the main inspiration for the
house. The new residence follows the footprint of the previous dwelling
and its numerous extensions. The idea was to let the “family
archaeology” continue in the new building. It’s a house that remembers
its beginnings in 1984 yet projects boldly into the future.
Dupli Casa is the work of Jürgen Mayer H., founder and principal of his cross-disciplinary studio. J. Mayer H. Architekten
in Berlin. Other team members include Georg Schmidthals, Thorsten
Blatter and Simon Takasak, plus Uli Wiesler’s architecture studio based
in Stuttgart. - Tuija Seipell
Shuhei Endo's steel, timber and glass structure, Bubbletecture H, inflates ominously out of the Japanese landscape. The visitor centre, built in a valley between Osaka and Hiroshima, was planned in three sections housing a theatre/lecture hall, a bookshop/galley and a workshop.
Endo’s design aesthetic throughout his career has focused on numerous experiments with steel and the seemingly limitless possibilities the material has in the built environment. He continually sets out to prove that architecture can possess diversity while simultaneously following the rules of geometry, and Bubbletecture H is certainly not an exception.
Endo has a phenomenal ability to place anything he designs within nature. The visitor centre is a structural geometry of bubbles from afar. But close up, the surface appears to mimic the faceted planes on the surface of a diamond. Minimal glazing prevents this building from glimmering in its valley. Instead, Endo subdued his design with rusted steel and occasional moss surfaces to sit within the surrounding forest – additionally meeting his client’s desire to educate the people living in the Hyogo prefecture, as well as anyone else who visit on global environmental concerns.
Drawn from concepts in traditional Japanese vernacular architecture, the superstructure was prefabricated from local Japanese cedar. Prefabrication minimises both economic and environmental impacts – less material to transport shorter distances instantly reduces carbon emissions released from the onset of the project.
And like a cliff temple, the supporting structure clings to the earth only where necessary – the building, nearly 1000 square metres is carefully connected to only sixteen deeply buried 1.5 metres wide beams – and that’s all that goes in the ground.
The concept for the design of Bubbletecture H thoroughly examines nature’s cyclical systems. Circulation through the three functional sections of the building is apparent in the rational built form connecting these spaces across the landscape. Another set of systems cycle and collect rainwater that falls on the building’s surface and reuse it for irrigation. And perhaps the most significant systemic process, the life cycle of the entire site, has been acknowledged, as green technology oozes from practically every surface. Endo’s exhibition dedicated to environmental studies hopes to heighten people’s awareness in their surroundings – and by raising awareness improved care is imminent for the valley and its environs. - Andrew J Wiener
Norihiko Dan — born in 1956 in the Kanagawa Prefecture in Japan — is the designer of the beautiful Munetsugu Hall, completed in 2007 in Naka Ward, Nagoya, Japan. It is a privately-funded concert hall that continues the age-old but almost-dead tradition of wealthy arts patrons initiating and financing the creation of art spaces. Fluid, white wall shapes are the distinctive feature of Munetsugu Hall’s main performance space. The walls bring to mind artistic sweep marks left by a gigantic builder who in his boredom doodled in his mortar tray with a massive trowel and then let the shapes solidify.
Norihiko Dan has won several architecture awards in Japan and Taiwan including the Distinguished Architect Award of the Japanese Institute of Architecture and the ARCADIA Award Gold Medal in 2007. His work has been part of exhibitions in Japan, Taiwan, USA, Canada, Germany, Austria, Italy and the UK. In addition to being a respected architect and educator, Norihiko Dan is also an architecture historian and writes novels and screenplays.
Munetsugu Hall’s generous benefactor is Tokuji Munetsugu who with his wife Naomi made a fortune in the restaurants business. Their company Ichibanya Co. Ltd. (based in Aichi, Japan) operates more than 1,000 curry and pasta restaurants under the names Curry House CoCo Ichibanya and Pasta de Coco. Munetsugu spent two billion yen to build the 310-seat concert hall. He has also set up a nonprofit organization to support welfare, sports and arts activities. - Tuija Seipell
We are on a hunt for supremely cool houses, from
beach homes, country homes and city pads to holiday houses and ski
retreats, we want to know where the coolest houses are for our upcoming book. We
are looking for the most unique houses from Sao Paulo to
Sydney. Slightly cool, standard-issue luxury won’t do it.
The houses we
want must think like Zaha Hadid who said “I like architecture to have
someraw, vital, earthy quality.” So, if you are an architect of such
a house, please submit your project for consideration or if you
a photographer who has photographed such a house, please get in touch -
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Golf and drab are synonyms, right? And the mere mention of Golf andCountry Club makes you run. Away. Fast. Golf may indeed have a bit ofan image problem but that did not deter the Zürich-based Smolenicky & Partner Architektur when they were retained to work on the expansion of the venerable Sempachersee Golf Club located near Lucerne in Switzerland.
In addition to the new club house-restaurant building and the newmaintenance building, both of which Smolenicky designed, the expansionincluded a second 18-hole golf course. All of this has made Golf ClubSempachersee the largest golf club in Switzerland and, quite likely,the club with the coolest club house.
In their approach to the club house, Smolenicky sought to manifesttwo things: what they call the “country character of the golfingculture of the Sempachersee course” and the course’s worldlysophistication. They took their design cues from “the rural warmth of atimber barn and the clear lines of a Maserati sports car.” Theresulting building, the sleek and minimalist interior, and themagnificent 180-degree panoramic views of the Sempachersee lake and theAlps might just be reasons enough to give golf another chance. Or, atthe very least, rethink what a golfing environment could look like. By Tuija Seipell
Humlegård House is the stark-looking, year-round residence of a former Finnish TV documentary producer. He moved to this house, located in the town
of Fiskars, 78 kilometers west of Helsinki, from a central-Helsinki
heritage apartment. Many aspects of Humlegård, especially its placement
to respond to the forces of nature, resemble the owner’s childhood
home, a large country manor in central Finland.
Designed by Kimmo Friman of Friman Laaksonen Architects
of Helsinki, Humlegård House is situated on a small, flat hill so that
the north-south line runs diagonally through the building. This is the
traditional way of placing a building so that it functions optimally as
an energy efficient and comfortable dwelling in the harsh, Finnish
climate. Protection from the wind and maximum use of sunlight are
primary considerations, and the placement of rooms is as much dependent
on how much the room needs heat and daylight as it is on how the
residents use each space.
The floor plan resembles the layout of a traditional peasant farmhouse,
split lengthwise into two. The house consists of three multi-function
areas: two large living rooms linked by a loft with a bathroom and
walk-in closet below.
In a typically Finnish fashion, the building appears simple, stark and
utilitarian yet exudes a harmonious and stylish form & function
sensibility. The owner and architect selected each building material
carefully, opting for traditional, natural materials. “I did not want
materials of which we did not have decades of experience,” said the
owner. Horizontal spruce board – left untreated for maximum structure
breathability -- is the main feature of the interior.
The spruce-clad outer facade weathers into a beautiful gray color that
matches the stark surroundings. The east-facing facade is clad with
galvanized corrugated-steel that protects the wall from rain and sun
and also reflects excessive sun away in the summer. The placement of
windows was determined by the requirements of the interior spaces. A
separate, tiny log sauna, also designed by Friman, was built later east
of the main building. By Tuija Seipell
The Carpenter Centre for the Visual Arts at Harvard University in
Cambridge, Massachusetts, is the only major Le Corbusier-designed
building in North America. To celebrate the 40th anniversary of this
building some time ago, a crazy-looking temporary puppet theater was constructed within its sunken courtyard.
Apparently, great engineering and technical features held this odd
little theatre together, but we are much more fascinated by its
appearance. The theatre resembles an alien mega-crawley, some sort of
an animal -- perhaps subterranean or even submarine -- that managed
to disguise itself with AstroTurf as a benign being but was in fact, a
voracious, people-eating igloo. It lurks under the overhang, waiting to
devour unsuspecting keeners of puppetry.
French conceptual artist Pierre Huyghe and Harvard assistant professor
of architecture, Michael Meredith, collaborated on the structure using
the help of computer technology and a team of GSD students. For them,
metaphorical identities for the structure included an egg, a seed, a
tumor, an alien spacecraft, and Le Corbusier’s brain. The structure was
built with 500 white polycarbonate panels – each unique in shape --
held together by 2,000 bolts to form a rigid frame covered in real
moss, not its plastic imitation.
Regardless, we think it is a live creature as emphasized by the
entrance, which is a soft, flexible, mouth-like opening built so that
it appeared to frame a tree when viewed from the innards.
The puppet opera performance told the story of the Carpenter Centre
with Corbu himself appearing in marionette form. The performance was
created by Huyghe who works with many media forms, from film to
puppetry to “public interventions.” In 2002, he won the the Guggenheim
Museum's biennial $100,000 Hugo Boss Prize, one of the premier juried prizes of the contemporary art world. By Tuija Seipell
Movin’ on up, now more than ever encapsulates stunning design,
impeccable service, effortless living from the time the sun rises to
well after the sun sets. We’ve been noticing a rising trend in the
sheer number of luxury residences - we recently told you about an
exclusive collection of seaside properties in Abu Dhabi. And now from New York to Buenos Aires, and from Moscow to
Beijing, we’ll reveal a few more of the coolest luxury abodes.
Many of us have been accustomed to the stylistic cues offered by W
Hotels across the world – but how many of us will actually have a
chance to pick up the phone from our own kitchens and receive
assistance from the ‘Whatever, Whenever’ hotline? Soon, for those
who jumped at the chance to purchase a W-styled apartment in one of
their newest locations south of the World Trade Centre in New York
City, the possibilities will be limitless.
W Residents may share the building with distinguished hotel guests in
the lower portion of Manhattan, but luxury amenities such as a rooftop
terrace, a fitness centre and spa in the sky, a media screening room
and digital lounge, as well as a separate entrance, will be solely for
those permanently living in the upper floors of the luxury tower.
While the W Hotel New York Downtown will take up the first twenty-two
floors, the upper levels have been split into furnished residences
(Floors 23-30) and customised residences (Floors 33-56). Interior
design exceeds expectations, even by W standards, with sleek and
functional kitchen built-ins to a translucent wall from the bedroom to
a ‘peek-a-boo loo.’
A bit further in the heart of Tribeca,
Five Franklin Place is destined be the epitome of luxury
residences. The 20-storey building will contain 55 one-, two-,
three- and four-bedroom units that will be set up as duplex lofts on
the lower floors; single-level city residents above; plus three triplex
penthouses each with a rooftop terrace and serviced by private internal
lifts.
The building itself, designed by Dutch architect Ben van Berkell of
UNStudio, will be wrapped in a series of horizontal black metallic
bands – each of which ungulates as it curves around and hugs the frame
of the structure. The façade is apparently a direct tribute to
the original 19th-century built form of cast iron that shaped lower
Manhattan – and the metallic surface will reflect light while
highlighting the magnificence of the neighbouring buildings.
The building’s façade is not merely about aesthetics, as the bands will also
create shading from the daylight, deflect heat, and guarantee every
residence will have the highest degree of privacy, and simultaneously frame unparalleled views out across Manhattan.
The Loft Residences on the levels have a double-height
living area that maximises the light entering the space. The height
of the great room continues on through a gallery where a white
lacquered library wall ascends up into the second level.
The upper-tier City Residences feature integrated terraces off the
main living areas, and all units are custom-fitted with B&B Italia
kitchens and built-ins throughout. The master bathrooms feature a
circular sliding wall that allows the bathroom to become part of the bedroom and share its spectacular city views.
And for those at the top, the five ultra-luxurious Sky Penthouses are
unmatched in practically every aspect. Again, B&B Italia has
masterfully crafted the space, including the kitchen. Sweeping
views from every room, even the master bathroom, automatically heighten
the occupants’ awareness of their place in the cityscape and the
surrounding environment.
The skylines of our cities are rapidly changing – ingeniously
designed buildings are competing for our attention. But architectural
beauty alone is not going to provide the type of service we’re growing
accustomed to expecting after spending millions on luxury lifestyle. We
feel that the rise of luxury residences has only just begun – and we
want to know all about it. If you are aware of luxury residences we
should investigate, please let us know. By Andrew J Wiener.
Antwerp, Belgium-based one-year-old sculp(IT)
is a partnership of two architects, Pieter Peerlings and Silvia
Mertens. They have recently completed a clever office, residence and
studio for themselves in what they call “Antwerp’s narrowest house”
located in Anwerp’s former red-light district. They took a 2.4-meter (7
feet 10 inches) wide space between two buildings, erected a steel
skeleton in it and installed four wooden floors, one each for work,
dining, relaxing and sleeping, plus a bath tub on the roof.
A one-piece staircase connects the floors. The walls are all glass,
allowing light in and creating a feel of space. In a nod to the area’s
“exhibitionist” past, each “window” to the street has a black frame
emphasizing the showcase or display aspect. The multi-color lighting
scheme completes the seedy notion. By Tuija Seipell
There’s a new planet in the solar system and it’s called Luxury.
Actually, it is here on earth, on a little-known island called Nurai,
located northeast of Abu Dhabi city.
The 130,000-square-meter island is about to be transformed into an
achingly glamorous and luxurious resort and exclusive private
residential estate, comprised of one boutique luxury hotel resort with
60 suites, 31 beachfront estates and 36 water villas.
The mammoth project is a collaboration between New York based Studio Dror, led by Dror Benshetrit, that has designed the residences, and the Paris-based firm AW2 are responsible for the design of the hotel.
The sheer scale of the project is awe-inspiring; the incredible
multi-storey water villas alone will span 515 square metres each,
comprising of three bedrooms, four bathrooms, a private rooftop garden
with spa pool, private infinity pool, multiple decks, outdoor barbeque
area, gourmet kitchen and concealed service quarters. No doubt Tom
& Katie are making their reservations already.
As for the private “Seaside” residences (which are sure to be snapped
up by Saudi Princes and oil shieks because they will probably be the
only ones who can afford them), the five bedroom-six bathroom estates
span across between 3,000 – 6,050 square metres.
Each “Seaside” estate will include a private beach and garden, rooftop
garden with spa pool, infinity swimming pool, indoor reflecting pools,
concealed service quarters, entertainment patios, outdoor dining areas,
chef and show kitchens and outdoor showers.
The resort is due to open in 2010 and residences start at €20 million. By Lisa Evans